STAN FARROW PHOTOGRAPHY

MY PHOTOGRAPHY

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I have been a photographer for almost as long as I can remember, having bought my first camera as a child at the age of 8 or 9.

Over the years since I have applied my photographic skills to my professional work, initially in producing materials for my school teaching, and later in editing the prospectus whilst working as Director of the Access Centre at the University of St Andrews. Although my original degrees are in Biological Sciences, my Postgraduate Diploma in Educational Technology includes Print Design)

Nowadays I am a digital photographer, living and working in Fife.  I am a member of the Royal Photographic Society and a portfolio of my work has recently  (Nov 2012) been accepted for a Fellowship (FRPS).  Some of those abstract images are included in this exhibition.

I have now had several hundred works accepted for exhibition worldwide and I have won several major awards including five gold medals from the Photographic Society of America. I have also been awarded an EFIAP award (Excellence - Fedération Internationale de l’Art Photographique) and a DPAGB (Distinction of the Photographic Alliance of Great Britain).

I held my first major exhibition of work (Landscape and Light) in 2005. My second solo exhibition (River of Light) took place in 2007, and featured photographs of the River Tay. This was followed in late 2009 by Under Western Skies, an exhibition of landscape photographs of the American West. In May 2013 I held an exhibition of my abstract work (Off the Wall). This went to Fife Fotospace on 26th October 2013, and will go to Discovery Point in Dundee in 2015.

I currently have a commission to photograph the National Collections of Plants held by Plant Heritage in Grampian and Tayside.

More recently I have been moving away from using photography in a strictly representational sense and have been looking for more abstract elements of colour, texture, and form. I also enjoy applying my interest in modern art to my photographic work. Although my Fellowship panel included "straight" photography, I also greatly enjoy using Photoshop creatively to make new digital art.

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EQUIPMENT

My most important piece of equipment is my imagination. Everything else is secondary to that.

I am now working almost exclusively with digital cameras. My serious digital photography started with a Nikon D100 and a Fuji S2 Pro. I  currently use both a Nikon D300s and a Nikon D800, both of which are a joy to use. I also have a Nikon D200 which is converted for IR use.
 
I also use a Canon G11 compact camera, which is small enough to fit in my pocket and goes everywhere with me when I am not carrying an SLR.
 
Some time ago I disposed of my 35mm cameras, and it was like parting with old friends. However I have recently bought a Nikon 6006 (American version of the F601) and am enjoying using film again too. I also recently bought a Canon AE1 film camera, and I now have a bag of lenses to match, all from eBay and in superb condition. I had my first AE1 back in 1982!
 
I use a variety of Nikon lenses, including:
 
Nikon 50 mm f1.8
Nikon 24-85 mm macro
Nikon 18 - 200 mm VR*
Nikon 10 - 24 mm
Nikon 80 - 400 mm VR*
Nikon 60 mm micro
Sigma 17 -30 mm
 
My "standard lens" for a long time has been the Nikon 24-85mm , which boasts an f2.8 aperture and a macro facility, and I still turn to it when I want high quality. The 50 mm Nikkor is razor sharp and without any faults, and is ideal for low light situations.  The 18-200 mm VR is also ideal as a convenience "go anywhere" lens on my D300s. This never seems to be off this camera these days!
 
I also use a Manfrotto PROB 55 tripod that is awkward to carry, but which gives a very stable camera platform. When travelling I use a Gitzo "Traveller" Tripod that is very light, made of carbon fibre, and packs easily into a carry-on flight bag. It is very expensive, but is probably the only tripod that fits my needs for foreign travel.
 
Although I have recently added VR lenses to my camera bag, I am now a convert to these. Nikon image stablisation works well, and they enable me to work faster with more freedom. However using a tripod instils a certain discipline and forces me to concentrate much more on the image I am creating. It also allows me to use smaller apertures and slower shutter speeds than would ever be possible hand-holding my camera.
 
In my images I use a variety of filters. These include:
UV filters
Circular polarisers
Gray graduates
Warm-up
Neutral Density
Even with digital photography, it is best to get the image right "in camera", rather than to rely on corrections in Photoshop after the photograph has been taken. I occasionally use neutral grey graduates to hold back  bright skies in my images. I sometimes use polarisers too to remove reflections. At other times the UV filter protects my lens

 

 

 

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